![]() ![]() I'm basically developing this model to launch into making guitars professionally, so a part of me has to look at it and ask what is going to sit right with the market. It's different if it's "what would I want on MY guitar" perhaps. More typically in guitars, mandolins, it's more of a parallelogram or a diamond - which is what I see more of in the first guitar not so much in your new design. You would have to tilt the axis of the notch on your new design to make that happen.Īlso, in some classic designs, the middle notch on some f-holes is barely a line. This isn't happening in the middle notch of your new design - just an observation. Your design points elsewhere, but I think it works well in the already built because it works as an extension of the line of the lower bout, before curving back out to the upper bout. The middle notch in traditional f-holes points more or less at the bridge. ![]() Lets talk about the "middle notch" first - the slanted part in the middle that resembles the line that defines a letter as an f. Seems to be your own take on the concept and having your own version is a good thing, IMO. Your larger f-hole version works ok, looks fine on the already-built guitar. (And maybe the bin is where they belong.)
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